Pictish warrior women?

“It is plausible to conclude that, prior to 700, the Picts allowed and/or required women to fight.”  Paul Wagner, Pictish warrior, AD 297-841 (Osprey, 2002), p.63

I find this statement difficult to reconcile with what we know of the Picts. It is based chiefly on Adomnan’s Law of Innocents (AD 697) which established a code of conduct for protecting non-combatants (women, children and monks) from military service and from the ravages of warfare. The code was ratified by nearly every Celtic kingdom in the British Isles and was reinforced by a system of fines. Wagner is not alone in assuming that Adomnan’s plea for women to be exempt from military service means that they were routinely recruited as soldiers prior to 697. Like others before him he supports his view by pointing to Irish legends of female warriors and to historical figures such as Boudicca. He cites no examples from the early medieval period because none exist.

There were, no doubt, many desperate occasions when individual Pictish women took up arms to defend their homes and families against marauders. From here it is a big leap to imagine formal recruitment of weapon-bearing females into the warband of a Pictish king. Neither the Picts nor their neighbours operated egalitarian societies where everyone got involved and did their bit for the wider community. On the contrary, these societies were strictly hierarchical. At the top of the social structure stood a rich aristocracy from whose ranks the king and his family were drawn. These aristocrats also provided an exclusive warrior class and were the only social group permitted to engage in warfare. There was no middle class and – in Celtic society at least – no free, weapon-bearing peasantry akin to the later Anglo-Saxon fyrd. The gulf between nobles and peasants – in terms of wealth and status – was huge and insurmountable.

Early medieval societies were not only unequal but patriarchal as well. They were male-dominated and gave little real authority to women. This is why the Pictish regnal lists show a long line of kings but no queens. It also explains why only one female Pict, a princess called Eithni, is mentioned by name in early medieval sources. In this context it is important to note that Pictish royal matriliny – the selection of a king by his maternal ancestry – is not the same as Pictish matriarchy. Female Picts, even aristocratic ones, were denied access to the upper levels of power and authority. In patriarchal societies women are normally excluded from warfare and are not expected to fight alongside their menfolk except in dire circumstances.

The notion of Pictish female warriors is, in fact, highly implausible. Aristocratic Pictish women were excluded from military service by reasons of gender. Peasant women were excluded by reasons of gender and social class. These exclusions were mirrored across the whole of Europe and were not confined to Northern Britain alone. The same restrictions applied also to Boudicca of the Iceni, though she seemingly bucked the trend and led her people to war. We should nevertheless regard her as an exception to the norm, just as the later Anglo-Saxon warrior queens Aethelburh (who besieged Taunton in 722) and Aethelflaed (the “Lady of the Mercians”) were exceptional in their own times. Whether any of these charismatic and resourceful women ever actually fought in combat is a different matter.

Published in:  on July 22, 2008 at 1:31 pm Comments (4)

The Aberlemno battle scene

The famous Pictish symbol stone in Aberlemno churchyard depicts a sculptured cross on the front and a battle scene on the reverse. The battle has often been assumed to be the one fought at Dunnichen Hill in 685, when the Pictish king Brude mac Bili defeated the Northumbrian English.

There has always been some uncertainty about the identification, chiefly because the stone was carved at least two generations after the Battle of Dunnichen. This has led to other military campaigns being proposed as more likely candidates. One campaign that seems to fit the stone’s mid-8th century date is the subjugation of Dal Riada by Oengus mac Fergus in the 730s. Another is a victory by Oengus over the Strathclyde Britons in 744. If either of these suggestions is correct then the Aberlemno battle-scene commemorates the military successes of Oengus rather than the earlier triumph of Brude.

Two Pictish symbols are carved above the battle-scene. The larger of these is a notched rectangle & Z-rod; the smaller a triple disc. Together they could represent the names Oengus and Fergus in the way that other Early Christian memorials elsewhere in Britain display the Latin inscription “X, son of Y”. This credible solution to the mystery of the Aberlemno churchyard stone was suggested by W.A. Cummins on page 103 of his book The picts & their symbols (1999). I think he may be right.

Published in:  on at 1:12 pm Comments (5)