Two Crosses

Dupplin Cross and Barochan Cross
End of April already, which means Springtime is underway and Summer is on the horizon. This is a good time to think about visiting museums, historic sites and other heritage attractions.

If you’re planning a trip to Scotland this year, and hoping to see some fine examples of early medieval sculpture, the above illustration offers a couple of ideas. It incorporates two drawings by John Romilly Allen from an old book called The Early Christian Monuments of Scotland (published in 1903).

On the left, the Dupplin Cross, a magnificent Pictish stone from the early 9th century AD. It’s on display at St Serf’s Church in the village of Dunning in Perthshire.

On the right, the Barochan Cross, probably carved in the late 9th century. It’s Dark Age and Celtic, but not Pictish. This is a fine example of ‘Govan School’ sculpture and can be seen at Paisley Abbey.

Both crosses formerly stood outside on bare hillsides, exposed to the elements, but now they’re safely indoors. Both are impressive reminders of the artistry and craftsmanship of two of Scotland’s ancient peoples: the Picts and the Strathclyde Britons.

Either of these impressive crosses is well worth seeing, whether you’re heading north through Perthshire en route to the Highlands or traversing the southern edge of Glasgow.

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The Kilmorie Cross

Kilmorie Cross

Illustration from J. Stuart’s Sculptured Stones of Scotland


My list of ‘must see’ monuments includes this magnificent cross-slab from the Rhinns of Galloway. It originally stood near St Mary’s Chapel at Kilmorie but was moved in the early nineteenth century to Kirkcolm, two and a half miles away, where it was used as a door-lintel in the parish church. It was moved again in 1821, to the grounds of nearby Corsewall House. There it was photographed by a Mr Hunter of Newton Stewart, the resulting image being reproduced in Allen and Anderson’s Early Christian Monuments of Scotland of 1903. In 1989, the slab was returned to Kirkcolm church and placed in the churchyard where it resides today.

The slab is sometimes known as the Kilmorie Cross because of the large hammer-headed crosses on both sides. It stands a little over five feet high and is made of ‘greywacke’ sandstone. On one side, the hammerhead cross carries a rough representation of the Crucified Christ. Another figure stands below, flanked by two birds, a set of blacksmith’s tongs and an unidentified rectangular shape. It has been suggested that this lower figure is the Scandinavian hero Sigurd, juxtaposed with the Crucifixion to highlight the mingling of pagan and Christian beliefs in a region colonised by Vikings. On the other side of the slab, the hammerhead cross is decorated with spiral patterns, below which are two horns, a coiled serpent and a panel of interlace terminating in a pair of snakes.

Kilmorie Cross

Photographs from Allen & Anderson’s Early Christian Monuments of Scotland


The slab was probably carved in the tenth century, a very obscure period in Galloway’s history. The region takes its name from a people known as Gall-Gaidhil (‘Foreign Gaels’) whose origins are uncertain. They first turn up in the ninth century, as warbands serving Irish kings, probably as mercenaries. Their name suggests that they were Vikings who spoke Gaelic, or Gaels who behaved like Vikings. In the tenth and eleventh centuries, groups of Gall-Gaidhil seem to be in control of various seaways and coastlands in what is now South West Scotland, from Kintyre down to Galloway. At what point they gave their name to Galloway is unknown, but medieval chroniclers suggest that Gall-Gaidhil or ‘Galwegian’ lords ruled as far east as the district north of Carlisle. Current thinking envisages a sort of ‘Greater Galloway’ by c.1050, extending northward through Ayrshire to the Firth of Clyde, but whether this was a single realm or a patchwork of independent lordships is a mystery. The amount of Scandinavian culture introduced into this very large area is likewise a matter of debate. What the Kilmorie Cross seems to be telling us is that pagan Viking settlers and indigenous Christians were able to live side-by-side in one small corner of Galloway.

Map of Galloway

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Notes & references

Having not yet visited the Kilmorie Cross I don’t have any photographs of my own to accompany this blogpost. A couple of nice images can however be seen at the website of Kirkcolm parish church via these links to the ‘front’ and ‘back’ of the slab.

Kilmorie is a Gaelic place-name which may mean ‘Church of Mary’. Kirkcolm means ‘Church of Columba’, with Gaelic cille replaced by Old Norse kirkja.

The cultural affinities of Galloway’s early medieval sculpture have been discussed in a number of publications. A useful article is Derek Craig’s ‘Pre-Norman sculpture in Galloway: some territorial implications’, in Richard Oram & Geoffrey Stell (eds), Galloway: Land and Lordship (Edinburgh, 1991), pp.45-62.

The Kilmorie Cross is described on the Canmore database, which also has an entry for the old chapel of Kilmorie.

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Battle of Clontarf anniversary

Battle of Clontarf
This year marks the millennium of the Battle of Clontarf, fought on the outskirts of Dublin on 23 April 1014. The battle is often depicted as a defining moment in Irish history: a great victory by King Brian Boru over the Vikings. In popular mythology, it heralded the end of two hundred years of Viking influence in Ireland. But, as with many of the best myths, the true picture is somewhat different. Like most battles of the Viking period, Clontarf was first and foremost a clash between ambitious rulers rather than a struggle between Celts and Scandinavians. Both sides mobilised Irish and Viking forces, each contingent serving the interests of its own leader, with scant regard for the ethnic origin of friend or foe. It would have been no great surprise to Brian’s Irish warriors to learn that their enemies were led not only by Sihtric Silkbeard, king of the Dublin Norse, but also by the Irish ruler Mael Morda, king of Leinster, or that their own allies included Vikings from Limerick.

By setting aside the myths we can see the battle for what it really was: a mighty contest for superiority in which forces from all over Ireland took part. Its significance will be highlighted in 2014 with a series of commemorative events. Links to some of these can be found at the end of this blogpost, but more are being announced as the anniversary of the battle approaches.

The battle has a Scottish connection, too, which is why it gets a mention here at Senchus. For, although the causes of the conflict lay among a complex web of rivalries and overlordships in Ireland, the pattern of wider allegiances brought warriors from further afield into the fray. On Brian’s side, the list of slain commanders included Domnall, son of Eimin son of Cainnech, the lord of Mar (now part of Aberdeenshire), while on the other side the casualties included Earl Sigurd of Orkney.

Click the links below for more information on the millennial celebrations:

Battle of Clontarf

Battle of Clontarf

Battle of Clontarf

Battle of Clontarf

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Notes:

Boru is an Anglicised form of Bóruma which might mean something like ‘taker of cattle-tribute’, a suitable epithet for a Dark Age king.

The information about Sigurd of Orkney and Domnall of Mar comes from the Annals of Ulster.

Much of the mythologising which turned Clontarf into a contest between the native Irish and the Vikings is due to the twelfth-century text Cogadh Gaedhil re Gallaibh (‘The War of the Irish with the Foreigners’), written as propaganda for Brian’s descendants. In its account of the battle of Clontarf it tells of a fight between the Scottish nobleman Domnall of Mar and a Viking called Plait who may have come from Normandy.

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Picts at Brunanburh

Battle of Brunanburh

The Battle of Brunanburh, AD 937 (illustration by Alfred Pearse)


January is almost done, so this is a long-overdue first blogpost of 2014. As usual, the delay has been due to a lack of time for blogging. Among other distractions, I’m writing a new book – my fifth on early medieval history – of which more will be said in the near future. This post is a kind of spin-off from that project and deals with a topic I’ve blogged about before: the battle of Brunanburh, fought in AD 937, one of the most famous events of the Viking Age.

Our earliest source is an Old English poem, probably composed within ten years of the battle and inserted in the Anglo-Saxon Chronicle. In stirring words, the poet celebrates the great victory at Brunanburh in which the English king Athelstan defeated an alliance of Vikings, Scots and (not mentioned in the poem) Strathclyde Britons. Some thirty years later, a briefer account of the battle was written by Aethelweard, a high-ranking English nobleman, in his Latin version of the Anglo-Saxon Chronicle. Aethelweard refers not to ‘Brunanburh’ but to ‘Brunandun’, one of several alternative names for the battlefield.

The Old English poem describes Scots fighting at Brunanburh under their grey-haired king Constantin, but Aethelweard mentions Picts as well. This requires a bit of explanation, as the Picts are usually thought to have ‘disappeared’ by about 900. Not that they vanished in a physical sense – they simply merged with the Scots or, to put it another way, they adopted a ‘Scottish’ identity.

Constantin’s kingdom, known by the Gaelic name Alba, was created in the late ninth century. Its royal dynasty – founded by Constantin’s grandfather, Cináed mac Ailpín, who died in 858 – was basically a family of Gaelic-speaking Picts. And, although Constantin’s predecessor was the first of the dynasty to be described in the Irish annals not as rex Pictorum (‘king of the Picts’) but as ri Albain (‘king of Alba’), the name Alba might really mean ‘Pictland’ anyway. So, even though Pictishness was being replaced by Scottishness before 900, the change was still fairly recent when Aethelweard wrote his chronicle in c.980, and even more recent in 937. Aethelweard’s reference to Pictish warriors fighting at Brunanburh might not be as anachronistic as it seems.

More could be said, of course, especially if we bring in the modern scholarship on Aethelweard’s writings to discuss his use of the term Picti. But this is meant to be a quick blogpost, so I’ll simply end it with the relevant passage from Aethelweard’s chronicle:

‘Nine hundred years plus twenty-six more had passed from the glorious Incarnation of our Saviour when the all-powerful king Athelstan assumed the crown of empire. Thirteen years later there was a huge battle against barbarians at Brunandun, which is still called the `great battle’ by common folk to the present day. Then the barbarian forces were overcome on all sides and no longer held superiority. Afterwards, he drove them from the shores of the sea, and the Scots and Picts alike bent their necks. The fields of Britain were joined as one, everywhere was at peace and had an abundance of all things. No fleet has since advanced against these shores and stayed without the consent of the English.’

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Notes & References

The standard edition of the Latin text is by Alistair Campbell, The Chronicle of Aethelweard (London, 1961).

See also: Leslie Whitbread, ‘Aethelweard and the Anglo-Saxon Chronicle’ English Historical Review vol.74 (1959), 577-89.

Aethelweard is one of the few writers from this period who wasn’t a monk. His career as an ealdorman (royal official) involved him in high-level politics, on which see Scott Ashley ‘The lay intellectual in Anglo-Saxon England’, pp.218-45 in Patrick Wormald & Janet Nelson (eds.) Lay Intellectuals in the Carolingian World (Cambridge, 2007).

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Columba and the Seal Thief

Female grey seal
Saint Columba, founder and first abbot of the monastery on Iona, died in AD 597. A hundred years or so after his death, a hagiographical Vita or ‘Life’ was written by Adomnán, the ninth abbot of Iona. Among many tales related by Adomnán is the story of Erc moccu Druidi, an inhabitant of the island of Coll, who came to Columba’s attention for all the wrong reasons.

The tale begins when Columba informs two of his monks that ‘a thief called Erc’ has turned up on Mull, on the shore directly opposite Iona. With only a narrow strait separating the two islands, Erc is rather too close for comfort. More than that, he is plainly up to no good, as Columba explains:

“He arrived from Coll last night, alone and in secret, and has made himself a hiding place under his upturned boat, which he has camouflaged with grass. Here he tries to conceal himself all day so that by night he can sail across to the little island that is the breeding-place of the seals we reckon as our own. His plan is to kill them, to fill his boat with what does not belong to him and take it away to his home. He is a greedy thief.”

Map of Mull & Iona
Columba ordered the two monks to bring Erc to him. Taking a boat across the strait, they sailed over to the Ross of Mull and located the thief, whom they escorted back to Iona. Erc was brought before Columba, who gave him a stern rebuke:
“To what end,” said the saint, “do you persistently offend against the Lord’s commandment and steal what belongs to others? If you are in need, and come to us, you will receive the necessities you request.”

As a gesture of goodwill, Columba offered some freshly slaughtered sheep as compensation for the seals Erc would otherwise have stolen. What happened next is not reported by Adomnán, but Columba presumably told Erc to return to his own island of Coll.

Grey seals

Seal pup sleeping.


An epilogue to the story tells of a vision experienced by Columba in which he perceived that Erc was close to death. The saint immediately ordered his cousin, a senior monk, to take a gift of meat and grain to the dying man. Adomnán does not say where Erc spent his final days but we can probably assume the location was Coll. The gift from Iona arrived almost too late, on the day of Erc’s passing, so it was consumed at his funeral feast instead.

Among a number of interesting points in the story I’ve highlighted five:

1. The monastery of Iona claimed the right to cull seals on one (or more) of the small rocky islands off the Ross of Mull. This may have been one of a bundle of informal rights exercised by the monks along the shoreline on the east side of the strait, or it may have been a formal concession granted by a landowner. In another story, Adomnán makes it clear that the monks did not have free rein to take whatever they wanted from the opposite shore: Columba compensated a man called Findchán who was upset to find monks cutting branches on his land at Delcros, probably an estate or farm on the Ross of Mull. The wood was being shipped back to Iona as building material for a new guesthouse, but it was being taken without Findchán’s permission.

Grey seals

Grey seal female and newborn pup.


2. The island of the seals is described as a breeding-ground, a place where females come ashore to give birth (Adomnán uses the Latin phrase generantur et generant). It must have been an extensive area, attracting large numbers of seals, to tempt a poacher like Erc to make a sea-journey of sixteen or seventeen miles. This might help to identify the location of the island, especially if it is still used by grey seals in the breeding season.

3. Archaeological evidence from excavations on Iona shows that seal-meat was on the monastic menu. The animals also yielded other useful products such as skin and oil. Sealskin is a naturally waterproof material, while the soft fur of the pups provides a warm lining for clothes. The sporrans worn with Scottish kilts are traditionally made from sealskin, although synthetic versions are less controversial (seal products have been subject to a European ban since 2010). In Adomnán’s time, Irish seal-hunters used a special harpoon called a murga (‘sea spear’) or rongai (‘seal spear’). Adult grey seals are large predators and can seriously injure any human whom they perceive as a threat. Erc moccu Druidi would have been well aware of this danger, but he did not sail to the Ross of Mull to challenge full-grown male seals (which can grow to 10 feet in length). His target, as Columba observed, was the breeding-ground where mothers and newborns would have been particularly vulnerable. British and Irish grey seals breed in the autumn, so Erc’s visit to Mull probably took place in October or November.

Grey seals
4. Erc does not seem to have been a person of high status. He owned a boat small enough to be turned upside down and used as a rudimentary shelter – it was most likely a small currach or coracle, a light but sturdy craft with a hull of animal skin. He was probably not a landowner or farmer, hence his need to hunt seals. Back home on Coll he had family or friends who valued him: when he died, they arranged a funeral and held a feast in his honour. They may have been members of moccu Druidi, ‘the people of Druidi’, the kin-group or clan to which he belonged. This group was presumably based on Coll and evidently spoke Gaelic rather than Pictish or British. Erc was seemingly a Christian, but not – as Columba points out – a rigid devotee of the Eighth Commandment (‘Thou shalt not steal’).

5. Erc lived on Coll and would have been answerable to a local lord there. He was not answerable to Columba on secular (i.e. non-religious) matters and could have refused the saint’s request to come to Iona. His acquiescence suggests that Columba’s authority as a spiritual leader was recognised by Christians on Coll. We might infer from this that any clergy working on the island in the late sixth century were members of the Iona brethren.

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Notes

The story of Erc moccu Druidi appears in Book 1, Chapter 41 of Adomnán’s Vita Columbae. For this blogpost I have used the Andersons’ edition (1961; revised 1991) for the Latin text. The passages in English come from Richard Sharpe’s translation, published by Penguin Classics in 1995.

For Adomnán and his contemporary audience, the main point of the story was Columba’s miraculous power of farsight in knowing when Erc was about to die. Vita Columbae, like many hagiographical texts, is basically a collection of miracle stories testifying to the special status of the saint (and, by association, to the importance of his monastery and the authority of his successors).

My information on early Irish seal-hunting and on the archaeological evidence (animal bones) from Iona can be found on pp.302-3 of the Penguin Classics translation, where Richard Sharpe cites useful references.

Adomnán says Erc lived on insula Colosi, ‘the island of Colosus’. This is not, as was once thought, the isle of Colonsay. Scholars now accept that Colonsay has a name of Norse origin (probably ‘Kolbein’s Island’) coined long after Adomnán’s time. Its original Celtic name may have been Hinba, an idea I’ve discussed in an earlier blogpost.

Erc and the seals get a brief mention on page 97 of my book on Saint Columba.

The photographs in this blogpost are copyright © B Keeling. They were taken in November 2013 at Donna Nook in Lincolnshire, a traditional breeding ground for grey seals. Hundreds of bulls (adult males) and cows (adult females) come ashore onto the beach each autumn. The Lincolnshire Wildlife Trust has a webpage for the Donna Nook Nature Reserve.

Grey seals

Seal pup near the fence alongside the visitor path at Donna Nook Nature Reserve.

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Llyfr Aneirin online

Gododdin of Aneirin

John Koch’s edition and translation of The Gododdin, published in 1997.


Lisa Spangenberg, who runs the excellent blog Scéla on things medieval and Celtic, recently posted an interesting piece of news: Llyfr Aneirin, the Book of Aneirin, is now available online. This thirteenth-century Welsh manuscript contains Y Gododdin, ‘The Gododdin’, a collection of verses seemingly commemorating the near-massacre of an army of Britons from Edinburgh at a place called Catraeth sometime around AD 600. Two versions of the collection are included in Llyfr Aneirin, each transcribed in a different hand.

It’s the manuscript itself that has been digitised, not an edition or translation, so what we’re seeing is one of the great artifacts of medieval Celtic literature in its original form. Whether any part of the contents – the heroic and enigmatic Gododdin verses – was actually composed in North Britain six centuries earlier is a different matter (and a highly controversial one).

I followed the link given by Lisa and selected a random page from Llyfr Aneirin. It contained one of several verses beginning with the words gwyr a aeth gatraeth (‘Men went to Catraeth’), neatly crafted in an elegant script from 800 years ago.

Lisa has helpfully added other relevant links to her blogpost, including the digitised version of Llyfr Taliesin, the Book of Taliesin. Elsewhere on her site you’ll find links to various useful resources, so I recommend a look around if your interests lean towards Celtic medievalia.

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Notes & links

Check out Lisa’s blogpost The Book of Aneirin digitized and online and her Celtic web resources page.

The National Library of Wales ran its own announcement last week: Warriors went to Catraeth.

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Question: How far does the poetry attributed to Aneirin and Taliesin reflect genuine North British history?
The jury is out, so we’re faced with a choice of answers. These range from wide-eyed enthusiasm (‘it’s all true’) through sensible scepticism (‘some of it might be true’) to sombre pessimism (‘this is poetry, not history’). Help is now at hand for those of us who aren’t specialists in Celtic literature, via the papers in Beyond the Gododdin: Dark Age Scotland in Medieval Wales. This very useful book, edited by Alex Woolf and published by the University of St Andrews in 2013, brings us up to date with current research. Anyone who wants to use the Taliesin poetry or The Gododdin as historical sources should read it. The papers represent a variety of opinions, all of them wise and measured, some more optimistic than others. But the main message is simple: let’s be more cautious when using these Old Welsh poems as ‘history’. Accepting them as authentic chronicles from the sixth or seventh centuries, or as reliable gazetteers of ancient North British place names, is no longer an option.

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The last king of Strathclyde

Earl Siward

From the front cover of History Scotland magazine, Nov/Dec 2013. The illustration of Earl Siward and his children is from a painting by James Smetham (1821-89).


‘The last king of Strathclyde’ is the title of my article in the current issue of History Scotland. It’s a discussion of the final phase of the kingdom of the Clyde Britons, from the Battle of Carham (1018) to the eventual takeover by the Scots (sometime before 1070). I consider several possible candidates for the label ‘last king of Strathclyde’ during a time of political upheaval involving famous figures such as Earl Siward of Northumbria, the English king Edward the Confessor and the Scottish king Macbethad (Macbeth). In the end, I acknowledge that we cannot be certain who ruled the last remaining kingdom of the Cumbri on the eve of its demise, for the information presented by the written record is incomplete. We can only note that the last king named in the sources is Eugenius Calvus (‘Owain the Bald’) who, in alliance with the king of Scots, achieved a memorable victory over the English at Carham.

History Scotland
Here’s the full reference for my article:
Tim Clarkson, ‘The last king of Strathclyde’ History Scotland vol.13 no.6, Nov/Dec 2013, pp.24-7

- and here’s a link to the History Scotland website (issues are available in print and digital formats)

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