I have long held the view that an interest in Scottish history and a fondness for single malt whisky go well together. Those of you who are nodding in agreement will be pleased to know that the famous Glenmorangie Company is playing an important role in increasing our knowledge of Scotland’s ancient past. Since 2008, the company has been partnering the National Museums of Scotland in a major research project on the archaeology of the early medieval period (c.300-900 AD). The inspiration for the venture came from the Hilton of Cadboll sculptured stone, a magnificent Pictish cross-slab that formerly stood on the coast of the Tarbat Peninsula in Easter Ross, a few miles south-east of the Glenmorangie Distillery at Tain. The stone is now in the National Museums at Edinburgh but a stunning replica has been erected near the original setting. A pattern of spirals on one of the carved panels is used in the whisky company’s branding.
Partnership with Glenmorangie has provided the project with sufficient funding to pursue several avenues of study. At the heart of the research is the material culture of the Picts and their neighbours: sculpture, metalwork, jewellery and other objects. Conservation and analysis of original artefacts is obviously a cornerstone of the project, but the work has also included the creation of modern replicas by craftspeople using traditional techniques. These reconstructions were displayed in an exhibition called Creative Spirit: Revealing Early Medieval Scotland which ran from October 2013 to February 2014. Among the items were drinking horns, hand-bells and a very striking ‘Pictish throne’.
Last year, the project received a further three years of sponsorship from the Glenmorangie Company. This new phase will enable specialists to conserve and study Scotland’s earliest silver objects, including those from two major Pictish hoards (respectively from Norrie’s Law in Fife and Gaulcross in Aberdeenshire). The Aberdeenshire hoard, unearthed on farmland in 2013, is one of the most important archaeological discoveries of recent times. It may tell us a great deal about the role of silver as a currency of gift and exchange in Pictish society. I wrote about this hoard in a blogpost two months ago and have been keeping an eye on new developments ever since, mainly by checking Alice Blackwell’s posts at the NMS blog. Alice is the Glenmorangie Research Fellow and is leading the project through its latest phase.
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Notes & links
The image at the top of this blogpost shows the front cover of Early Medieval Scotland: Individuals, Communities and Ideas, a monograph arising from the work of the Glenmorangie Research Project. An insight into the book’s contents can be seen at the NMS blog.
The Glenmorangie Research Project has a page at the NMS website.
“Glenmorangie toasts new research project after silver hoard discovery” (article in the Ross-shire Journal).
Blogpost by Alice Blackwell describing the project’s study of Scotland’s earliest silver.
Follow Alice Blackwell on Twitter: @earlymedieval.
Webpage on the replica objects produced for the Creative Spirit exhibition.
My blogpost on the Pictish hoard from Aberdeenshire.
Those of you who have seen the movie Highlander will know that the correct pronunciation of Glenmorangie stresses the second syllable (the name rhymes with orangey, as in the fruit flavour).
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